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The piece places these current narratives in dialogue with Robert Flaherty's Louisiana Story regarding the relationship between the petroleum industry and human and ecosystem wellbeing and considers how a documentary project can contribute to citizen activism demanding stronger pollution regulation. Finally, we considered the importance of free access to parks and nature preserves for citizens, nationally and internationally. Softness second to none Luxurious shine. Insofar as the IP address can be attributed to your country, we are regrettably obliged to exclude you from using our line-up of games. The deeper participants venture into the work, the more nuanced their understanding of the region's controversies. The Chthulu and the Final Girl Experimental Animations The Chthulu and The Final Girl is an animation about gender and power in horror films, questioning whether the genre normalizes or challenges hierarchies of physical and psychological dominance. Fish Stories celebrates cultural histories tied to New York City's dynamic harbor and embraces cooking and eating as a central everyday space through which we can envision a sustainable future for our city's estuary. Directed, written, produced and edited by me, the work features performances by Juliana Francis, Nadia Mahdi and Kameron Steele, camera by Sandy Amerio and a sound scape by Shannon Fields. The Oyster City App Augmented reality, mobile media walking tour and game Employing a movement score collaboratively developed by Drum, Coleman and Payton, the group walked along and explored the famous shoreline, built by Robert Moses in the s, engaging in place-centering exercises at points along the way. We held mid and post activity discussions regarding personal, political and social representations of this location and correlations to other seaside spots. Ponsonby hangs with Georgia and Dan. How Did I Get Here? Fish Stories Community Cookbook is a collection of seafood recipes, local histories, stories and drawings alongside ecological information contributed by people who live and work in the Lower East Side. Swan Ornaments from Kate Sylvester. The Chthulu and The Final Girl is an animation about gender and power in horror films, questioning whether the genre normalizes or challenges hierarchies of physical and psychological dominance.
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